By day, Toronzo Cannon is a bus driver for the Chicago Transit Authority.
By night, Cannon is an acclaimed blues artist with fans all over the world. His 2016 debut on Chicago-based Alligator Records, "The Chicago Way," is a nod to his Chicago roots.
Gates open at 6 p.m. June 15. At 7 p.m., blues guitarist Samantha Fish will take the stage, followed by Grammy-nominated artist Elle King at 9 p.m.
Gates open at 2 p.m. for the second day of Blues on the Fox on June 16. Fourteen-year-old blues guitar prodigy and Broadway veteran Brandon “Taz” Niederauer will perform at 3 p.m., followed by Cannon at 5 p.m., slide guitarist Sonny Landreth at 7 p.m. and the legendary Aaron Neville at 9 p.m.
Tickets cost $30 each per day. Children 12 and younger are admitted free to Blues on the Fox, but must be accompanied by an adult 18 or older. For tickets and information, visit RiverEdgeAurora.com, call the RiverEdge box office at 630-896-6666, or stop by in person at RiverEdge's satellite box office, the Paramount Theatre, 23 E. Galena Blvd., Aurora, from 10 a.m. to 6 p.m. Monday through Saturday.
The following is an edited version of Cannon’s conversation with Shaw Media reporter Eric Schelkopf:
Eric Schelkopf: This will be your first time at Blues on the Fox, right?
Toronzo Cannon: It is, yes. I can't wait to do it. I've heard of it, I just never thought I would be playing in it, you know what I mean. … But then when I got with Alligator Records, things started opening up.
Schelkopf: That's true. The spotlight's really been on you in the past few years, maybe because you've got an interesting back story, the fact that you're a bus driver and a musician. Are you surprised that so many people want to know more about you?
Cannon: Yeah. I've always tried to just kind of separate the two. My music is my outlet and my bus driving job is to sustain a living, with benefits and the whole thing, making money for the family. And all of a sudden, it became a story, like Chicago blues man drives a Chicago bus, you know, that kind of thing.
Schelkopf: Do you ever see a time where you give up being a bus driver?
Cannon: No, I'm too close to retirement right now. I don't want to live a lie or a dream where it's like, oh, this is going to sustain me and my family for the rest of my life. There's no health benefits in the blues. I've been driving a bus for 25 years. And I'd never thought I'd do music on this scale, actually.
I just figured it would be a nice little second income. I just thought it would be cool to have people enjoying my music. I drive in some of the worst neighborhoods in Chicago. And I see things, and I'm talked to in a certain way.
Schelkopf: I guess it kind of keeps it real. You are not living the music star life.
Cannon: I think so. I get up at 3:30 a.m., and I get off in the late afternoon. So we're talking 16-hour days. And I still have to write music. You need to do what you need to do in order to do what you want to do. I don't do it for any extra pats on the back, like I'm doing something sensational. It's just that's how much I want to play this music.
Schelkopf: Being a bus driver probably provides you with a lot of inspiration for songwriting, right?
Cannon: Actually, the song "Pain Around Me," which is on my Alligator debut, "The Chicago Way," is kind of like a tune I wrote directly on one of my routes. Most of my songs I created while I was working.
I work 10 hours a day and I carry a little pad of paper with me in my pocket and if I see something or if I feel something, I write it down and try to elaborate on it later at home, put some music to it.
Schelkopf: Besides providing fodder for your songs, what do you like about being a bus driver?
Cannon: It pays the bills. It's a job that you can raise a family on. It's a real job, it's a career. Any job that you do for an extended period of time is a career.
Schelkopf: I understand you bought your first guitar at age 22. What drew you to the blues in the first place?
Cannon: Well, I'm a child of the '70s and '80s. I grew up around the blues. My grandparents raised me. The blues wasn't a genre to me, it was kind of just like my grandparents' music. When I started playing guitar, I wanted to play reggae.I joined a reggae band and I played with them for a couple of years. And then I started going around to jams.
Everywhere in Chicago, you had blues jams. When I would go to these jams, I would hear songs that were played in my house when I was a kid. It was a full circle moment.
The one famous club that was close to my house as a kid was called Theresa's Lounge. I was too young to go there, I was like 10 years old, but my uncles used to go there. I grew up around it, but I didn't know it was blues music until I got older.
Schelkopf: Your star started rising when you took the stage at Chicago Blues Fest in 2015 as a headliner. How did you feel stepping on to that stage and playing in front of all those people?
Cannon: That was cool. It was great, man, just to see that many people. And they are hanging on my every word. It was pretty cool, man. It was humbling. I'm always humbled that people remember my songs. I'm like, wow, I thought up that song on the bus. It's very cool, you know.
Eric Schelkopf writes about the arts and entertainment scene in Chicago at thetotalscene.blogspot.com. He also is an employee of Shaw Media.